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Matt Madden

comics, education, translation, oubapo

Check out examples of my students’ constraint-based comics

November 20, 2010 by matt 2 Comments

Word Ladder by Kevin Raganit
Word Ladder by Kevin Raganit

I’d like to share a sampling of amusing and occasionally astounding work done by students of mine using constraints.

If you follow this blog or if you’ve read my comics you already know this is approach—closely associated with the French literary group Oulipo—is key to my own work. I’ve found that when people are presented with an unusual challenge—like being asked to make a one page comic where the story can be read backwards and forwards—they take to it like someone who is obsessed with a crossword or a jigsaw puzzle: It’s difficult, it feels surmountable, yet it’s also pleasurable and even revelatory when you have a breakthrough and create something you didn’t even know you had in you.

Below, you’ll find a whole bunch of weird and excellent comics done by School of Visual Arts cartooning majors from around 2009-2011, back when I taught a class there called Obstacle Course. In that class I would present them with a series of assignments based on creative rules or constraints.

The first part of the set consists of one-page assignments, the second part consists of longer pieces delving deeper into a particular constraint. You’ll find brief explanations of the constraints below the gallery.

Click on the first comic and it will open up into a slideshow:

Word Ladder by Kevin Raganit
Word Ladder by Nethery Engblom
Word Ladder by David Fernandez
Restricted image by Mike Díaz
Restricted Image by Lydia Roberts
Restricted Image by David Fernandez
Acrostic by Nethery Engblom
Morlaque by Nick Sumida
Morlaque by Mike Díaz
Appropriatino by Wes Soriano
Word Ladder by Lili Díaz
5 Obstructions for Lili Díaz
Word Ladder by Lydia Roberts
5 Obstructions for Lydia Roberts
Anagram by Lydia Roberts (1/2)
Anagram by Lydia Roberts (2/2)
Terzanelle by Wes Soriano (1/5)
Terzanelle by Wes Soriano (2/5)
Terzanelle by Wes Soriano (3/5)
Terzanelle by Wes Soriano (4/5)
Terzanelle by Wes Soriano (5/5)
Parallel Paths by Mike Díaz (1/5)
Parallel Paths by Mike Díaz (2/5)
Parallel Paths by Mike Díaz (3/5)
Parallel Paths by Mike Díaz (4/5)
Parallel Paths by Mike Díaz (5/5)
Pantoum by Shannon Alexander (1/4)
Pantoum by Shannon Alexander (2/4)
Pantoum by Shannon Alexander (3/4)
Pantoum by Shannon Alexander (4/4)
Comics Round by Jonathan Griffiths (1/6)
Comics Round by Jonathan Griffiths (2/6)
Comics Round by Jonathan Griffiths (3/6)
Comics Round by Jonathan Griffiths (4/6)
Comics Round by Jonathan Griffiths (5/6)
Comics Round by Jonathan Griffiths (6/6)
A gallery of contrained comics made by SVA cartooning students in my Obstacle Course ca. 2010

Here are some brief explanations of the featured constraints:

Word Ladder Comic

based on a word game attributed to Lewis Carroll: connect two related words of the same length by replacing one letter at a time, for example CAT>HAT>HAG>HOG>DOG, then use the resulting list to make a comic with the same number of panels as there words.

Restricted Image Comic

the visual field of the comic is limited in some way

Acrostic Comic

a comic where each strip, horizontal or vertical, tells a different story

Morlaque

from the French “mord la queue” or tail-biter, a comic that is an endless loop

Appropriation

making a new comic using panels from existing work

The Five Obstructions

students give each other five constraints they need to observe while re-making an earlier comic

Anagram Comic

two one-page comics that use the same panels to tell different stories

Terzanelle Comic

based on a poetry form featuring refrains

Parallel Paths

the horizontal strips tell stories which are in sync with the strips above and below them

Pantoum Comic

based on a Malay poetry form characterized by woven-together repeating lines

Comic Round

think “Row Your Boat” in comics form

[note: this post was updated in 2022]

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Filed Under: Blog, Oubapo, Teaching

Comments

  1. Hutch says

    November 21, 2010 at 3:22 PM

    I had to squint to see the word-ladder context there in the sample, but then I realized it's terrific. Really perfect.

    Reply
  2. Matt Madden says

    November 21, 2010 at 3:25 PM

    Kevin wrote those keywords in for the critique in class but didn't necessarily mean for them to be part of the final comic. I should probably remove them but I admit that part of the fun of these comics is seeing how the words turn into comics.

    Reply

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